There are a few reasons why white walls can be monsters to deal with on set. The biggest being that they are uninteresting and very flat. When you are shooting a film or taking a picture you are creating a world. Everything within your world has to go together to make it believable, or people will reject the matrix which you created. Another big issue with white walls is that they can overexpose very easily making it hard to get good separation between your characters and your background.
To fix my white wall problem was easy. Since it was a dream sequence I could get away with a very easy trick to fix the wall. I simply started by changing the color of the wall all together by using a Fresnel light with a magenta gel. I then decided to break up the color by cutting a cookie and shining a green gelled light at the wall. Green is the contrasting color to magenta so it provided and interesting mix.I also shined a moving water light, which changed colors, into a mirror which bounced into the corner of the wall providing some extra jazz. Finally I lit the actor with a separate white light to bring exposure to his face. Top it off with a keep out sign and some zombie make up from the art director and you got yourself a pretty interesting scene!

The lighting was a big hit among the crew and the room got tagged the name "70s Dance Room". Now wasn't that more interesting then a white wall?
Signed,
-)_-.
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